Category: Traditional Architecture

  • The Size of a Prefabricated Granite Backsplash

    The Size of a Prefabricated Granite Backsplash

    Producers normally make prefabricated granite backsplashes to match coordinating granite countertops, premeasuring equally for standard kitchens or baths. Although habit granite cuts allow more design flexibility, the backsplash provides both uniformity and affordability for remodeling your house. Some variety is present at the height and thickness, but the most popular size is more readily available and simple to install.

    Standard Sizes and Variations

    A standard kitchen granite backsplash comes prefabricated with a height of 6 inches, while those made for baths are 4 inches higher. The span is generally 96 inches to get a kitchen counter backsplash to as brief as 20 inches for a bathroom vanity counter. You can reduce the distance of most backsplashes to fulfill your requirements. In case you’ve got an unusually large spout that causes water to dab higher than normal, start looking for a backsplash with a height of 7 inches. The extra height may also be useful for covering drywall damage from the elimination of a preceding 4- or 6-inch piece of granite. Though they’re more uncommon, you can order complete backsplashes with a height ranging from 15 inches to over 24 inches. A thickness higher than 3/4 inch is rarely required, and the excess weight could lead to damage to the wall.

    See related

  • How to Size a Duvet Cover & Filler

    How to Size a Duvet Cover & Filler

    A duvet (the filler) and its own duvet cover often are created by different companies. There are no standard sizes, so obtaining the two to fit together depends upon careful measurements. Your duvet and cover may have to be wider and longer to fit a super-thick bed, or shorter and narrower if you sleep on a thinner mattress on a platform bed.

    Measure to Be Certain

    Measure from the bottom edge of the bed on one side of the bed, around the surface, across the top and down to the bottom edge of the bed on the opposing side. Add 2 inches to this measurement for the width of the filler, or duvet. Measure from the head of the bed to the foot and Also down to the bottom of the mattress. Add 1 inch to get the duvet length. Adjust these measurements to suit your own personal tastes; you may need your duvet longer down the sides, or even shorter. Purchase a duvet cover with exactly the exact same size specifications since the filler.

    See related

  • The Way to Read a Floor Plan

    The Way to Read a Floor Plan

    The floor plan, or strategy, is that the most typical of architectural drawings. From builders to architects, Realtors to appraisers, everyone uses a floor plan. More than likely this is because the floor plan is the one drawing which tells us the most about a house. By the kind of house to the magnitude of the house, a floor plan reveals region, structure, flow pattern, stair place, door and door locations, room design and so much more.

    While floor plans do reveal a lot about the functional characteristics of a house, they often lack the information required to describe the home’s overall feel. This is because they can’t easily show us what is going on in the next dimension. So when buying floor plan, keep in mind that you’re looking at just one view of the house and you will want to check at other perspectives to actually know all the home’s attributes.

    Having said that, let’s look at what a floor plan shows.

    Bud Dietrich, AIA

    The overall floor plan gives a flattened, two-dimensional bird’s-eye view of a floor level in the house. (Click here to view an enlarged version.) Each room is shown, as are of the doors, walls, doors, stairs, walls, cabinets, appliances, plumbing fixtures and furniture.

    The rooms have been tagged so we know where each operational area is in connection to another area. And we will have the ability to see how we can get from room to room. Because windows and doors have been shown, we can observe how each relates to the others and to other things in a space. For example, we will have the ability to see if doors and windows are aligned to create view corridors.

    I find that the best way to understand that a strategy would be to put yourself inside and “walk” around the house. As you take this virtual walk, record what you see, what you believe and how you get from room to room. Another way to comprehend the plan would be to virtually put yourself in the midst of a room and record what you find as you appear in at least four directions.

    Bud Dietrich, AIA

    Each plan should incorporate a legend that indicates what the project is and what floor the strategy is of. The legend must also incorporate the scale (1/4 inch equals 1 foot; 1/8 inch equals 1 foot etc.) where the floor plan is drawn. At times the scale can be composed out, while other situations a image scale, such as shown here, is supplied. A graphic scale is helpful once the drawing gets reduced or enlarged or changed so that putting a ruler on the strategy to measure distances no more assists.

    A legend may also incorporate a north arrow. In fact, it’s a drawing conference the top of the landing page is always north.

    Other things which may be contained in a legend are the owners’ names, the project speech, the architect as well as other designers’ names and the date (especially important with a construction drawing so revisions can be managed).

    Bud Dietrich, AIA

    Walls have to be the most important architectural element shown in any strategy. Whether exterior or interior, walls are the components that form the rooms and the overall house. Sometimes thin, like in a 2-by-4 wood-frame house, and sometimes warmer, like in a masonry house, walls should be drawn to indicate this thickness.

    Walls are drawn as parallel lines with fractures where windows and doors happen. An especially useful drawing conference that’s employed in a remodeling or addition project would be to show the existing walls with no fill between the parallel lines while showing the walls using a dark or pattern colour between the lines.

    Bud Dietrich, AIA

    While an overall floor plan is commonly at a scale of 1/4 inch equals 1 foot, certain rooms have been drawn at a larger scale — say, 1/2 inch equals 1 foot. This is how it is with kitchens and bathrooms, as these rooms are often the most complicated in a house. Cabinets, appliances, plumbing fixtures etc. can be located and clearly shown in these larger-scale drawings.

    It’s often a fantastic idea to have inside elevations drawn for these rooms. While we can see in the design where the cabinets, appliances etc. are situated, we don’t know their height, type, or design. Only within an interior elevation will we view that this advice, because this drawing looks across straight at wall or other vertical surface.

    Bud Dietrich, AIA

    Floor and windows are two of the most important elements displayed on a floor plan. Each door and window is given a place and size. While windows are displayed using three parallel lines in a wall, doors are typically displayed as a straight line perpendicular to a wall and an arc which connects on the line to the wall. The excellent thing about showing a door similar to this is that we know which side gets the hinges and which area the door opens to. For example, in this case the door leading into the cabinet is hinged on the left (if you’re standing outside the pantry) and opens to the pantry.

    Note that for the mudroom, the two doors leading into the space are straight across from each other. This creates not only a strong circulation pattern but also a sight line which reinforces the pattern.

    Bud Dietrich, AIA

    A French , or double door is signaled by two arcs and lines, as two single doorways coming together. As with a single door, the management of the door swing is signaled. In this case, the door swings to the living space, something which’s important to know when putting furniture in the room.

    Bud Dietrich, AIA

    The fireplace is just another architectural element displayed in a floor plan. It’s shown as an outer rectangle indicating the exterior wall of the chimney or fireplace and the inner rectangle indicating the firebox (the place where the fire actually burns).

    As with many such things, the strategy will indicate the relationship between the fireplace and the other elements of the space. Hence that the plan tells us if the fireplace is based in the area, between windows or anything else — all very important info. But it won’t supply any third-dimension info.

    Bud Dietrich, AIA

    A stairway is a really important architectural element. Stairs occupy a significant amount of floor area and also have an impact on headroom, therefore accurately showing the stair in design is extremely important. Drawn as a series of parallel lines, a staircase also features an arrow and a note indicating the direction of travel, either up or down.

    Modern building codes have a significant effect on the size and arrangement of stairs. From diameter to riser height to tread breadth and railing issues, no stair should be designed without a comprehensive comprehension of those codes.

    Bud Dietrich, AIA

    While ceiling alterations aren’t easily shown in a floor plan because they occur above, drawing conventions can reveal them. Dashed lines, like in the drawing here, allude to a change in the ceiling above the floor. We may not know what exactly this ceiling change is, but we know there’s a change, and we can then go to other drawings, such as a segment (a vertical slice through the house instead of the horizontal slit a floor plan is), to learn more.

    More:
    What You Can Learn From a Floor Plan
    Who Wants 3-D Design? Here Are 5 Reasons You Do

    See related

  • 12 Singular Architectural Interiors

    12 Singular Architectural Interiors

    As I rummage through to develop design posts, I add photographs into an abysmal and ever-contracting ideabook that serves as a way station before I find a theme which binds them together. Many of these photographs linger in my master ideabook, waiting for companions which never come.

    To provide some of those photos and jobs their thanks, I have compiled an ideabook on them that emphasizes exactly what I find intriguing. There is absolutely no 1 thread which ties them together, aside from their concentrate on the inside kingdom, my taste for modern and contemporary design, and their own singular capabilities.

    Ivon Street Studio

    It is not hard to find out what stands out in this inside photo. The artist’s loft maintains a very open design with a toilet over the stairs. The bathtub’s translucent wall adds some not-so-subtle voyeurism to the entire.

    See more translucent walls

    Specht Architects

    The toilet in the previous instance is similar to a room inside a larger room, as is the “modern barn.” The architects opened up the quantity of an old barn which has been partially destroyed in a fire, but walls such as the ones at the center provide more intimate spaces to the residents. The trellis overhead brings the scale of the large area down while keeping it open to the peak.

    Thomas Roszak Architecture, LLC

    This staircase at a Chicago high-rise duplex is 99 percent glass : glass walls, glass treads, glass guardrails. Only the hand rail and steel connections are a different material. The choice of a glass staircase signifies light may filter from 1 floor to another.

    Bercy Chen Studio

    There is something particular about the colour red in design. The colour is so strong that even a small application can saturate a room and draw focus. A reading nook glows within the V-shape cut beside the flat opening. The red is warm next to the deep wood panels which cover the walls, ceilings and flooring.

    THINK Architecture – John Shirley

    More reddish (borderline orange) appears in this residence, painted on the sides of openings between rooms. This small application actually draws the eye at the big, light-filled space.

    A lot is going on in the top level of the house: stair and bridge with metal guardrails, translucent glass walls, skylight, partial-height walls, steel beams. Nevertheless it all combines to a satisfying whole, thanks to the translucent glass and also the abundant light from the skylight.

    Rudolfsson Alliker Associates Architects

    This photo shows a how a palette of different materials can combine to create a very simple space which isn’t overly cold. The wood flooring, ceiling and stair treads will be the most effective. Nevertheless the steel that’s painted brown and the stainless steel guard rails also help counter the white drywall.

    Maryann Thompson Architects

    Here is another contemporary interior done in rich materials. Both the wood stairs and walnut-tile wall have a noticeable patina which provides them some depth to counter another, crisper materials.

    Griffin Enright Architects

    Since the last few examples reveal, stairs are a great place to make transitions between distances or between material palettes. This stair appears to curl round the wall which supports it about the right, but it’s the window straight ahead making it so appealing. Forced movement by means of a house — stairs, corridors and so on — provides opportunities for directing the eye and decorating views.

    Jeff Luth – Soldano Luth Architects

    This house includes a high level of custom finishes, making for a standout kitchen. But I’m drawn to the cut in the drywall ceiling which exposes the wood rafters above.

    LEANARCH Inc..

    In this house, I’m a fan of the contrastbetween the crispness of those bits on the left — orange stair, wood walls, dark casework — and the light and delicate drapes on the right. Reaching from floor to ceiling, these drapes filter light but also soften the dining room.

    WA Design Architects

    The curving roof of the house is echoed at a curving wall which cuts throughout the living area. Even if the wall stops, the floor proceeds this curved line, reinforcing its position as a datum from which the house is organized.

    More:
    Suggestions for Defining Spaces With Level Dimensions

    Framing Design: Structural Expression in Steel

    Design Details: The Way to Showcase Your Curves

    See related

  • Architect's Toolbox: 3 Window Details That Wow

    Architect's Toolbox: 3 Window Details That Wow

    Although there are lots of designs and sizes of windows, my favorites have low sills, tall heads and deep reveals.

    Low sills (meaning that the bottom of the window is nearer to the ground line) produce windows that tend to have the proportions of doors. Therefore, they provide more powerful connections between inside and outdoors. Using lower sills also can make a room feel much bigger.

    Tall heads (meaning that the surface of the window is nearer to the ceiling) provide much the exact same visual impact as reduced sills. In reality, a conservatory derives much of its visual impact from the lack of any substantial wall arrangement over the windows.

    Deep reveals (shown in the first photo below) enliven a window by providing not only a place to put things but by emphasizing the three-dimensional quality of the surrounding wall. The deep show gives us a sense of their weight and solidity of the wall along with the security the wall provides.

    Searl Lamaster Howe Architects

    Low and deep sills can be used for any kind of design, from a contemporary design with a group of windows …

    Smith & Vansant Architects PC

    … into a traditional design of solitary, independently spaced, double-hung windows.

    You can put the sill inside inches of the ground line. All that is needed is just a little bit of space for trimming and also to make cleaning a bit easier.

    RD Architecture, LLC

    An accent wall with low sills and deep reveals can be a focal point and function of art on its own. The big windows keep the accent colour from getting out of control.

    Vendome Press

    Low sills don’t need to be near the ground. Some sills supply just the right height for the furniture.

    Lisa Borgnes Giramonti

    Deep sills can supply a resting place for some of your favourite products.

    Camber Construction

    Deep reveals can be made with some built-ins. The walls, windows and furniture have become incorporated to create a clean and tidy inside.

    NURIT GEFFEN-BATIM STUDIO

    And extending the kitchen counter to create the window sill provides that out-of-the-way yet nearby space each kitchen needs …

    Sutton Suzuki Architects

    … and each soaking bathtub can gain from.

    Universal Joint Design Associates

    Deep reveals in a bedroom can offer display and storage space.

    vgzarquitectura y diseño sc

    Windows that stretch from floor to ceiling create the wall disappear and blur the distinction between outside and inside …

    Feldman Architecture, Inc..

    … even when these windows don’t really touch the ceiling.

    Only add substantial cut to group and combine the windows, giving the room structure.

    Feldman Architecture, Inc..

    Insert transoms over if the doors aren’t tall enough. Just keep the transoms tight into the ceiling so that the wall disappears.

    More:
    Losing Lighting: The Revolutionary Nature of Windows
    Skinny Windows: Exclamation Points of Light

    See related